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Autonomous multi-angle capture

How much of a multi-camera shoot can an automatic edit recover, and what stops it?

research/capture-edit

How much of a multi-camera shoot can an automatic edit recover? At detector noise 0.3 a fixed 3 s rotation shows mean true quality 0.546, a cut-cost (Viterbi) edit 0.802 vs 0.815 on true scores, and best-score-every-frame 0.723 at 345 cuts a minute; clock sync fails first on short clips (5 s at noise 0.25: 25% over 40 ms). Synthetic quality model, no real footage.

9 tests

What it found

A synthetic model of four cameras whose true angle quality changes every 2–8 s, seen through a noisy detector. At noise 0.3 a fixed 3 s rotation shows mean true quality 0.546; an offline Viterbi edit that maximises detected quality minus a cost per cut reaches 0.802 against 0.815 for the same search on true scores, while picking the best score every frame gives 0.723 with 345 cuts a minute and every shot under 1.5 s. The cut cost matters more than detector accuracy (best near 1.0, about 14 cuts a minute). Clock sync from a shared loudness envelope fails first on short clips: a 5 s clip at noise 0.25 is off by over 40 ms in 25% of trials, 15 s in 5%. No real footage, reframing or film-look grade; quality is a made-up random process.

A figure from its own output

Figure produced by research/capture-edit: quality
capture-edit/experiments/quality.svg, written by the project's own experiment code.

Paper, code and results

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Produced with AI assistance (Claude). Results are from the code in this repository and are simulated or stylised unless the abstract says otherwise; nothing here implies affiliation with or endorsement by any lab, researcher or company cited. MIT licensed.